How to Train Your Dragon 4K SteelBook w/ Magnetic Medallion (2025)

Inside Artwork: Yes
Emboss/Deboss: TBA
Finish Type: TBA

• Deleted Scenes (5.11) - Two deleted scenes are included, both of which have introductions by Director/Writer Dean DeBLois. They are Village Sneaking and Beach Break, and both were cut in the name of improved pacing.
• Gag Reel (2.47) - Gaffes, mistakes, and assorted silly behavior are spotlighted here.
• Love and Legacy: Making 'How to Train Your Dragon' (45.44) - Numerous members of the cast and crew take the viewer behind the scenes into a number of aspects of the creation of the film. Topics covered include casting, set construction and dressing, riding the dragons, and the film's themes. It's an interesting and informative segment.
• Building Berk (8.06) - The film's immersive set takes the spotlight here, with the principal cast, the director, and many others discussing their impression of and reaction to manmade and locations central to the tale. Time is also spent discussing the weapons that were made and the various elements of set dressing.
• Fit for a Viking (5.04) - Director/Writer Dean DeBlois, Costume Designer Lindsay Pugh, and others discuss the various costuming elements as shots of their construction and design are shown.
• Forbidden Friendship (6.38) - After an introduction from Director/Writer Dean DeBlois, we are treated to an in-progress version of the scene where Hiccup befriends Toothless, as we see Mason Thames interacting with Toothless's puppeteer on-set.
• Test Drive (3.32) - Following an introduction from Director/Writer Dean DeBlois, we see an "in-progress" version of the scene where Hiccup rides Toothless for the first time, with Mason Thames astride a massive, rideable animatronic puppet. Finished footage is intermixed.
• Feature Commentary - Director/Writer Dean DeBlois provides a wealth of insights and details about the crafting of the live-action How to Train Your Dragon. He begins by discussing shooting locations and finding the perfect home for Berk on the Faroe Islands. From there, he launches into casting decisions and set construction. DeBlois talks about picking the moments to deviate from the source material and being very deliberate in that regard. A fair amount of time is given to the construction and design of the arena, and he shares the very practical reason why Gobber's prosthetic leg switches sides for this film. He discusses playing music for the film on-set during filming to help the actors find the emotional core of the scenes, and some of the differences between creating a live-action film versus creating an animated film.