All That Money Can Buy: Criterion Collection

ENGLISH: LPCM Mono (48kHz, 24-bit)

• Version Comparison - this program highlights some of the differences between the 1941 preview version of All That Money Can Buy, which was titled Here Is a Man, and its 1943 rerelease as The Devil and Daniel Webster. In English, not subtitled. (5 min).
• "The Devil and Daniel Webster" - in this archival program, Alec Baldwin reads Stephen Vincent Benet's original 1937 short story "The Devil and Daniel Webster". The program was produced for Criterion in 2003. In English, not subtitled. (34 min).
• Observations on Film Art - in this archival program, film scholar Jeff Smith discusses the visuals style and structure of All That Money Can Buy. The program original aired on the Criterion Channel in 2018. In English, not subtitled. (14 min).
• The Columbia Workshop - Stephen Vincent Benet wrote three short stories about his larger-than-life personification of the historic Daniel Webster: "The Devil and Daniel Webster", "Daniel Webster and the Sea Serpent", and "Daniel Webster and the Ides of March". Presented here are radio dramatizations of the first two stories, both featuring music by Bernard Herrmann. courtesy of Columbia Workshop.
• 1. "The Devil and Daniel Webster" (1938). In English, not subtitled. (30 min).
• 2. "Daniel Webster and the Sea Serpent" (1937). In English, not subtitled. (30 min).
• Restoration Demonstration - this new program provides before-and-after comparisons with additional comments about the history and new 4K restoration of All That Money Can Buy. In English, not subtitled. (7 min).
• Trailer - presented here is a vintage trailer for All That Money Can Buy. In English, not subtitled. (1 min).
• Commentary - this archival audio commentary was recorded by film historian Bruce Eder and biographer Steven C. Smith (A Heart at Fire's Center: The Life and Music of Bernard Herrmann). The commentary was recorded for exclusively for Criterion in 1991 and updated in 2003.
• Leaflet - an illustrated leaflet featuring an essay by author Tom Piazza and a 1941 article by Vincent Beneet, as well as technical credits.